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PRAISE
[note: The title in the U.S. is A DASH OF STYLE]
“I've
read A DASH OF STYLE by Noah Lukeman: but I am far from done with it. This is
not a rule book, neither is it a delightful series of stories about commas and
colons. (Not that it's not delightful.) This is what we writers have been
waiting for -- a book that takes the straight jacket off of punctuation and
instead offers it up as a series of creative writing tools. Complete with
exercises that make you think, rethink, consider and see your own work in a new
light; Lukeman's wit and insight make this an instant classic.”
“A
DASH OF STYLE is the contemporary book on the subject. It puts plunk down
everything you need to know about punctuation in one place where you can find
it.”
“A
DASH OF STYLE reinforces the notion that punctuation is an essential aspect of
fiction (as well as other creative genres). It is not only instructive in terms
of how punctuation can be used, which in itself makes it worth reading, but it
demonstrates (often with the use of fine examples drawn from great works of
literature) how much punctuation contributes to the true character of a piece of
writing. It is a terrific book. In fact, it's flawless.” “I
finished A DASH OF STYLE in two sittings. It is very lucid, wonderfully written,
and flexible. It explains simply, giving clear, concrete examples, both from the
quotidian and from great literature. The sections on the colon and semicolon are
the best I’ve ever seen. It's also a damn good read, as well as being pithy,
elegant, smart, and absolutely unpretentious. The writing is lively and vivid
throughout. Nabokov said somewhere that if you pick up a line of prose and it
tingles, then you know it's alive. The prose tingles throughout, and we never
feel we’re reading a book about punctuation at all. Best of all, it never
condescends to or makes the reader feel stupid. It’s wise, funny,
entertaining, and my students could gain so much from it. That I think is
the highest praise you could offer such a book.”
“A
DASH OF STYLE is a book about punctuation that is actually a book about writing
itself. Lukeman gives the lie to the idea that learning grammar and punctuation
don’t improve writing. Most punctuation books are indifferent to the quality
of the examples chosen, but Lukeman shows punctuation working within the context
of real writing, glorious writing. Reading this book, you can’t tell whether
you’re learning how writers write or how punctuation works—which is, of
course, precisely the point. College students, creative writing students,
teachers frustrated with boring punctuation exercises, and all writers who
simply want to be reminded of the intimate connection between punctuation and
powerful writing ought to read this book.” “At
long last, we writers and writing teachers, lesser lords, perhaps, of
punctuation, have something to really celebrate! Lukeman’s A DASH OF STYLE is
neither a perfunctory how-to on the art of punctuation, a one-size-fits-all
comma manual, nor is it an anecdotally-cute collection of grammatical do’s and
don’ts. Lukeman’s A DASH OF STYLE bubbles up from the natural percolation of
a life’s-worth of reading by a prodigious reader with perfect pitch. This book
is written, pure and simple, out of the author’s obvious and infectious love
for literature, and reading it reacquainted me with my own. From Conrad to
Camus, from Shakespeare to Shaw, I felt less like I was reading a book on the
art of punctuation and more like I was reading these great writers from an
intimate’s point of view. My only quarrel is with the author’s mother, who
should have produced him twenty years earlier so that I could have used this
book for the last twenty years I’ve been teaching fiction workshops.” “After
teaching literature and writing for ten years at Rutgers University, The
University of Iowa, and Clarke College, I thought I knew everything there is to
know about teaching punctuation. Lukeman's A DASH OF STYLE taught me otherwise.
Whether one wishes to write fiction, poetry, drama, screenplays, or just great
English, Lukeman's third book masterfully unveils how punctuation affects the
minds and emotions of readers. A DASH OF STYLE needs to be on every aspiring and
accomplished author's work desk!” “As
both a teacher and creative writer I found A DASH OF STYLE to be as clear and
beautifully written as Lukeman’s first two books. Once again, he has composed
a text that is perfectly organized, conveys important but subtle truths, and is
unique in perspective. I will recommend the book to my students and perhaps give
it as a gift to friends who write. A punctuation book for the creative writer.
What a great idea.” “Lukeman
has answered my unuttered cry for a punctuation guide for creative writers. In
fact, I hadn't realized that I needed it until now. My students fail to
understand the need for punctuation, and I have relied on grammar books from
English composition—painfully inadequate and misleading for fiction. A DASH OF
STYLE is a delightful shift. I see genius at work here.”
"One
of the Best Writing Books of the Year." “Lukeman
offers literary examples from major writers like Mark Twain, while [Eats, Shoots
& Leaves’ Lynne] Truss dissects poorly punctuated public signs. The
Writing Exercises ideas are Lukeman's best contribution, and particularly for
these, this work is recommended for academic and large public libraries.” “Two
years ago I reviewed Lynne Truss’s enormously successful book Eats, Shoots
& Leaves, which reviewed punctuation in a masterly way. Do we need another
book on punctuation so soon? Well, yes. This book is aimed at a different
audience and is about a different aspect of punctuation.”
“This delightful book should be read by every writer. Lukeman, a literary agent, approaches punctuation not as a series of rules to be memorized but as a set of goals that the writer is trying to achieve. Read this, and your attitude towards periods, commas, and all their pals will never be the same.”
“Like a syntactical phrenologist, Lukeman reads character from preferences in punctuation.”
“More
than just a style guide, A DASH OF STYLE discusses how creative writers can use
punctuation for artistic effect. Lukeman, a literary agent and author of
bestselling writing manuals, explores such questions as how dashes enhance Emily
Dickinson's poems, or how Melville used semicolons to convey tension in Moby
Dick. Includes writing exercises.” “Lukeman
provides a wealth of wisdom on how to use punctuation—not as mere grammatical
squiggles on the page, but as important creative tools for our craft. And he
writes from real-world experience on two sides of the publishing desk. Lukeman's
[previous] works stand way ahead of the usual how-to books, precisely because
Lukeman himself is a thorough teacher and a highly creative thinker. Now comes A
DASH OF STYLE, another necessary volume for the serious writer's library. Far
from being another boring reference book, A DASH OF STYLE looks at punctuation
in a kind of upside down, inside out, entertaining manner, from a perspective
one may never have viewed before. The lessons are invaluable for writers who
want to improve both the way they think, and consequently the way they write. A
DASH OF STYLE is a truly exciting way to view what once seemed like tedious old
periods and commas.” “What
Lukeman seeks to do is move grammar away from the rote rules of language and
into the melodic prose creative writers can relate to. For those looking for a
new way to approach this necessary aspect of writing, Lukeman may have found a
way to break down the barriers to good grammar.” "Mr.
Lukeman is a New York literary agent. Not perhaps, the first person an English
author would turn to for advice. But he's good. And so is his other book The
First Five Pages." “As
a copy-editor myself, I believe that it is possible to make a distinction
between using punctuation with scrupulous accuracy and using it accurately but
with flexibility, to enhance the flow of a piece of prose in various
ways…Hence, I was glad to see this book from Noah Lukeman, which is intended
to explain the art of punctuation rather than the skill…Lukeman has an
extremely keen and sensitive eye for sentence structure and a neat way of
explaining things. He teaches by example, flags up the dangers of over- and
under-use of various strategies, and sets exercises at the end of each chapter,
to encourage the reader-writer to think carefully about how they work with
sentences. It is a book that is well worth reading if you are the kind of writer
who values that level of detail.” “Finding
a book on punctuation that is aimed at creative writers rather than grammarians
is a nice change. Noah Lukeman looks at punctuation as an art form that can be
used to improve a passage of writing, and he discusses each punctuation mark in
its context. In the process, he analyses the way successful writers, both
contemporary and from the past, have used punctuation creatively. The chapter on
the semi-colon, for example, looks at how Edgar Alan Poe used the semi-colon to
enhance word economy, discusses how Mark Twain’s use of the semi-colon enabled
his readers to digest complex sentences, and shows how the same punctuation mark
can serve to relieve choppiness within a passage of short sentences.
Punctuation, he argues, is a creative exercise. And at the conclusion of each
chapter are end-of-chapter exercises that encourage you to look at your own
manuscripts to analyse how you are using the punctuation mark discussed in the
chapter and suggested exercises that will help you to use it to greater creative
effect.” “The
proper method of correcting semicolon misuse used to be a simple smack with the
ruler. Noah Lukeman, author of A DASH OF STYLE, eschews the principles of Sister
Meredith, taking on the demeanor of a loving uncle, a colleague, and an artist.
This is not a book for grammarians, but for writers of fiction, non-fiction,
memoirs, poetry, and screenplays. His gentle style and guiding hand work
beautifully to set the writer at ease at the very start of A DASH OF STYLE. For
instance, he shows how throughout history some pretty impressive authors have
abused the rules of grammar to wonderful effect, and suggests get it right all
the time should not be our primary focus as writers. In this way, he encourages
experimentation and makes punctuation fun and interesting. He calls
punctuation our friend and shows how though skilled use, the non-word half of
writing makes those very words clearer and adds meaning. He demonstrates through
interactive methods (including exercises) how punctuation adds bounce and rhythm
to our prose, how it creates sound and motion, how it it clarifies our writing
and brings the words to life like tiny whispers in our readers' ears.
Punctuation, he explains, creates its own little world. He puts the elements of
that world under a microscope and teaches the writer to become sensitive to this
habitat. In this way, the book becomes not about making better grammarians, but
about creating better writers. A DASH OF STYLE focuses on the most
important uses of punctuation, those that can impact most creatively on the
writers work rather than merely the technical aspects apostrophes and slashes.
It concerns itself with such things as how adding or subtracting a punctuation
mark will alter the intention of a scene. As a writer with a firm grasp of
the rules of punctuation, I found Lukeman's approach very useful. I don't want
to become a grammarian. What I need is to learn from great writers how they used
punctuation to create a style and a mood in a scene, and Lukeman delivers. He
shows, for example, how periods can be used to create a stream-of-consciousness
effect; how commas can indicate a passing of time; how dashes can be used to
capture a certain form of dialogue; how a revelation can have dramatic effect
through the use of colons. The impact on content, he says quite rightly, is the
holy grail of punctuation, and he makes the learning interesting by reference to
samples of written language used by such writers as Hemingway, Faulkner, Poe,
Melville, Carver, Dickinson. and Stein. “I recommend everyone purchase [A DASH OF STYLE] and mark it up ASAP. [It] is surprisingly consumable thanks to its conversational tone, and offers a fun and breezy tour of ways creative writers can use punctuation for best effect….I’m enjoying Lukeman’s work not just for [its] frequent punctuation horoscopes, but for the mountain of tips he packs onto the pages of his book….Bonus: There are plenty of chew-on-this exercises at the end of each chapter, forcing you to consider the choices you’ve made in your work….Not only is A DASH OF STYLE insightful; it is, believe it or not, an entertaining read that’ll have you wondering over the power of punctuation–not to mention why no one’s addressed this subject before now. Thanks, Mr. Lukeman.” “[In A DASH OF STYLE, Lukeman] states ideas I’ve not seen expressed elsewhere: that stops and content are interconnected to the extent that some content is not possible with certain punctuation and vice versa; that stops with different strengths in the same piece of prose influence each other and change their effect on the reader; that sometimes marks will complement others, while at other times they will conflict (his last chapter, The Symphony of Punctuation, goes into this in some detail). Every chapter ends with exercises directed at readers who are also active writers…Every part of Mr Lukeman’s argument is illustrated with lavish quotations from good authors and he is easy to read. Anyone who wants to improve their authorial voice will find value in it.” click here to read Reader Feedback |