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"John Smolens is that rare and gifted writer who can capture
both our exterior and interior worlds with equal dexterity, grace and
power. COLD is a novel so riveting you will absolutely not be able
to put it down, and these characters will stay with you long after
turning the last page."
--Andre Dubus III
(author of House of Sand and Fog)
"COLD is a
finely crafted, wild yarn set in the great north. John Smolens gives us
a suspenseful tale in a style somewhere between Jack London and Raymond
Chandler. A fine read."
--Jim Harrison
(author of Legends of the Fall)
"COLD grabs you on the first page, and, like the snow swirling
around John Smolens' fascinating characters, the ice-hard prose pushed
under your collar and travels quickly down your spine. Soon you'll
be chilled to the bone, but you may not even notice because you'll be
too busy turning the pages. You must read COLD--preferably beside
a fire, under a blanket."
--William Martin
(author of Back Bay, Cape Cod and Citizen Washington)
"There's danger--sometimes
palpable, sometimes faint or comic, but nonetheless real--behind each of
these beautifully crafted stories in John Smolens' collection. The
sense of danger is what helps make these stroies beautiful and
compelling. Danger becomes a context for these stories and raises
their stakes so that it seems that if no life is safe then no life is
ordinary. Read the story "Cold," and you'll see the
method at work; read "Cold," and you won't close this book
again until you've read them all."
--Stuart Dybek
"At the center of this
taut novel is a young carpenter's search for moral certainty, in matters
of work and love and commitment, in modern America, where such quests
are an ordeal. The story is suspenseful, exciting, tender, often
humorous, and, above all, significant. John Smolens is a wise and
seasoned voice."
--Andre Dubus
Reviews
"Innocent lovers are subjected to an onslaught of jealousy
and hostility ... in a sensitively observed, mesmerizing novel that
builds in fury as inexorably and stunningly as a Lake Superior
storm...Readers may devour this in one sitting, and the startling
denouement will keep them rapt to the chilling end."
--Publishers Weekly (STARRED REVIEW)
"Grade:
A. Hemingway set some of his best tales in the Upper Peninsula of Michigan, as has Jim Harrison. In his latest novel, John Smolen also takes advantage of the Lake Superior area to great effect...Smolens has done a superlative job of rendering a place and its people realistically. He has crafted a thriller that is as literate and insightful into human nature as any novel out this year."
--Denver Post
"In a quiet, assured fashion,
Smolens sets up a series of inevitable confrontations that don't usually turn out the way one would expect--just like in real life. Fans of Tim O'Brien's In the Lake of the Woods will find much to like here."
--Booklist
"The story structure of Smolens' fifth novel (following the critically acclaimed Cold) is all too familiar: a young woman living in a small town falls in love with an older, semi-mysterious stranger. They move in together, but then her ex-boyfriend returns home after a yearlong stint in the Army and makes their life a living hell until a shockingly violent act occurs....In the hands of others, this story line would feel trite and overused, but not in Smolens' hands....Smolens' careful realization of his characters and the harsh Upper Michigan setting adds a welcome freshness that rises above the apparent plot
contrivances."
--Baltimore Sun
"A new, elegantly structured suspense novel from John Smolens, "Fire Point," argues for the heated view, where envy can immolate someone from the inside out -- and then storm out to burn down everything in its path....Smolens'
characters are smart enough to know what they're up to, but too smart to advertise it....Smolens ramps up the suspense elements in "Fire Point" with skill. When Sean and Martin clash, the results will surprise even veteran thriller readers. And Smolens has stripped his prose down in the new book to match the rat-a-tat requirements of the
genre...So "Fire Point" is a good, suspenseful read with the kind of lean writing that many better-selling writers would have to sell their souls to achieve."
--Detroit Free Press
for THE
INVISIBLE WORLD
"Father-and-son
conflicts always seem to work better when there's a crime involved,
preferably one of epic scope, like the one that John Smolens depicts in
THE INVISIBLE WORLD (Shaye Areheart, $22.95). His protagonist, a
slacked-off Boston journalist named Sam Adams, once wrote a book
accusing his absentee father, a shadowy presence who ''worked in
government (as opposed to for the government),'' of being the second
gunman on that grassy knoll in Dallas when J.F.K. was shot.
Understandably, relations between father and son have been strained ever
since. Now the old man's back in town, just long enough for Sam to
accuse him of silencing Sam's mother before she could deliver her
deathbed version of the conspiracy to a reporter. Smolens's sharp views
of places like Charlestown and Salem avoid the usual hometown
sentimentality, making a nice contrast with the mournful lyric voice he
uses for Sam's recollections of his miserable family life."
--The New York Times
"This novel of
conspiracy and political intrigue creates a heady atmosphere reminiscent
of Paul Auster...Smolen's spare style plays off nicely against the plot,
and elaborate tapestry of twists and contradictions. Smolens
(Cold) balances political commentary, excitement and heartbreak nicely,
moving his career forward with sure-footed style."
--Publishers Weekly
"A
perfectly-paced thriller that gently pulls you in"
--The Daily Mirror (UK)
"Beautifully
written and absorbing"
--The Sunday Telegraph (UK)
"What
if your dad killed JFK and you'd spent your adult life trying to pin the
murder on him? That's the juicy premise here. Instead of going the
tabloid route, Smolens weaves a complex personal tale that examines the
terrible impact of an assassin's actions on the family so often left
behind. The son, Samuel Xavier Adams, a recovering journalist, can't
even hold a job at an alternative paper after sinister forces discredit
his Dallas expose, One True Assassin. The daughter dies after
being reduced to junkie-whore status with the help of dear old Dad's
Cuban associate. Their mother is snuffed on her deathbed as she's
telling a reporter about long-suffering years spent waiting for cryptic
calls from a husband devoted only to executing black-ops capers for the
government. When the hit man steals Mom's ashes, Sam decides to track
him down and finally blow the lid off the story. All good stuff, but
it's Sam's underlying quest--to find an emotional replacement for the
sister he loved so deeply--that proves achingly compelling."
--Booklist
"Smolens, who
heads up the masters creative writing program at Northern Michigan
University, is one of those just-under-the-radar guys who dapples just
enough in thrillerdom that the crit-geeks won't give him his literary
due. This effort, a smoothly efficient amalgam of Salem/Boston
atmosphere, the narrator/journalist's midlife crisis, a horribly
dysfunctional family that includes a witch/junkie and a dad who — by
the way — might have been the triggerman on the JFK assassination,
lures you in and snaps like a bear trap."
--The Day
"A dark
and engrossing literary thriller - written by the director of Northern
Michigan University Master of Fine Arts in Creative Writing Program - is
a virtual funnel cloud that might leave you gasping for air. "The
Invisible World," by John Smolens (Shaye Areheart, 301 pages,
$22.95), is polished, entertaining and somberly gray. Smolens'
earlier work includes the 2001 novel "Cold," about what
happens when a prisoner escapes from an Upper Peninsula work camp, and a
short-story collection, "My One and Only Bomb Shelter." The
author will be at Shaman Drum 8 p.m. Dec. 16 to discuss "The
Invisible World."
The novel stars a not-very-patriotic Sam Adams, who in a book called
"One True Assassin" exposed his father, John, as the killer of
President Kennedy. As "The Invisible World" opens, Sam, now in
his 40s, is out of work as a journalist and tending to his dying mother
when in swoops the undetected father, who slips his wife poison and
later makes off with her ashes. The chase is on, as Sam tracks his
father. Gradually we learn that Sam and his mother and sister, Abigail,
had suffered greatly because of John. It's a sad family tale, and it
only gets worse when we learn that Abigail died of a drug
overdose. Smolens is a fine writer, once praised by Jim Harrison
as having a style somewhere between Jack London and Raymond Chandler. It
does keep you reading."
"Crafted by a writer who's
good at atmospherics."
--Kirkus
for
COLD
"Set in
Michigan's cold, harsh Upper Peninsula, this third novel by Smolens
(Angel's Head, etc.) uses its frigid backdrop as the perfect setting for
an astute examination of six lives wrecked by fate, betrayal and
tragedy. Norman Haas, an inmate at a nearby prison, turns up nearly
frozen and starved on the isolated property of Liesl Tiomenen, a widow
whose life was derailed by the deaths of her husband and daughter in a
car crash. Liesl has a gun, and she decides to escort Norman into town
on foot, since the snow is too deep for driving. When she falls and
can't get up again, Norman leaves her alone in the snow. Though he was
jailed for assaulting his older outlaw brother, Warren, and pill-popping
girlfriend, Noel, who were cheating on him together, Norman still loves
Noel and is determined to return and set things straight. Heading home
through a relentless blizzard, he picks up Noel and their three-year-old
daughter, Lorraine, and together the three hole up in a lodge deep in
the snowy woods. Meanwhile, Liesl has been rescued; recovering, she
joins forces with dogged local sheriff Del Maki to find Norman, though
both suspect he got a raw deal from the law. When all of the major
players including treacherous Warren and Noel's sinister father come
together for the final confrontation, nothing prepares the reader for
the startling chain of events that lead to a violent, shattering ending.
Smolens's skill in rendering scenes of stunning brutality and uncommon
tenderness, his crisp dialogue, vigorous writing style and keen
descriptive powers all make this a first-rate thriller. Agent, Noah
Lukeman. (Sept.)Forecast: A rave blurb from Jim Harrison suggests the
cut-above quality of this excellent thriller. Smolens's previous novels
were critically acclaimed, and this one should help build his
readership."
--Publishers Weekly
Copyright 2001
Cahners Business Information, Inc.
"Smolens not only
uses the Upper Peninsula of Michigan as a backdrop, he also treats it as
a character, silent, relentless, and cruel. Norman Haas walks away from
a prison work crew into a snowstorm, heading toward freedom but also
toward his past in search of answers and justice. Convicted of
assaulting his girlfriend, Noel, his sentence is long because of her
father's clout and the implication that he caused the disappearance of a
witness. But it's more of a sense of natural order than evil that causes
Norman to leave a woman for dead and to take advantage of the bad luck
of others. He runs off with a willing Noel and their daughter, trailed
by a wise local policeman and others concerned with keeping the past
hidden. The truth eventually is uncovered, but at what price? Those who
read suspense novels for their projection of justice and resolution will
find a winner here in this well-plotted and well-written tale fueled by
a sense of impending disaster."
--Booklist
Danise Hoover,
Copyright © American Library Association. All rights reserved
"John Smolens's
matter-of-fact narrative style pairs ideally with this gritty yarn about
a convict who, after fleeing a work detail in Michigan's Upper
Peninsula, sets off through a snowstorm to reclaim the life he'd enjoyed
before his duplicitous family sent him to prison. Here's an example of
Smolens's style from early on in Cold, when escapee Norman Haas is
involved in a trucking accident. Rather than save the trapped driver
from his rig's explosion, Norman steals a van from a stranger who has
stopped to help them both. "As he pushed in the clutch and shifted
into first gear," Smolens writes,
he realized there
was a familiar smell in the warm van. The ashtray was full of rolls of
Certs; he picked up one and began peeling back the paper. In the
rearview mirror he could see the burning truck. The flames now rose
high above the cab, and thick black smoke blew into the trees
alongside the road. Norman put a Certs in his mouth. The taste
reminded him of inside, where he'd sucked on Certs all day long.
Wintergreen.
Norman never achieves
much more dimension than that. He exists primarily as a catalyst,
forcing this book's other more intricately drawn characters to reveal
their own pain, mendacity, or longing. These include characters like his
ex- fiancée, Noel, who saw Norman's incarceration as just revenge for
his abuse; she went on to marry his malingering brother, but now intends
to run away with Norman to Canada. Or like Del Maki, the small-town
sheriff whose dogged pursuit of the escapee is entwined with his growing
appreciation for a widowed sculptor who'd tried to convince Norman to
turn himself in. As these players, along with Noel's hunter father and
his mysterious Asian business partner, converge at a remote cabin, they
incite a desperate, violent clash that exposes both the deception at the
root of Norman's conviction and an ugly conspiracy to profit from
wildlife destruction. Cold is fiction to chill the soul--too revealing
of human selfishness to be easily read, too well-written to be easily
put down."
Amazon.com's
Best of 2001
--J. Kingston
Pierce
"A fascinating and disturbing novel."
--Independent (Sunday)
"If you're ready for a
chilling, powerful, mesmerizing tale set in Michigan's Upper Peninsula,
grab a copy of Cold.... The intriguing, atmospheric novel focuses on a
variety of interpersonal relationships.....The entertaining, carefully
crafted tale is full of surprises, including the final chilling and
decisive conclusion.... Smolens' strong characters display a wide range
of human emotions; the heightened sense of atmostphere is so distinct
that you'll swear the temperature has gone down a few degrees since you
began reading the book. The deft plotting explores the frailties of the
human heart, problematic family relationsips and greed while presenting
a solid tale of strength, death and deception."
--Lansing State Journal
for WINTER BY
DEGREES
"What holds our attention is the rich atmosphere, the chill
desolation of a shore town in midwinter. John Smolens knows his
territory, social as well as geographical and proves it in his first
novel."
--Boston Sunday Globe
"A promising debut."
--Chicago Tribune
"...delivers gritty
dialogue and earthy atmosphere."
--Kirkus
"Richly textured and intriguing. A gritty tale of mystery and
violence...."
--Lansing State Journal
"Rich in
detail....Captures the sense of gloom that hangs over seaside
communities in the winter as if a tragedy is just around every
corner."
--Cape Cod Chronicle
Full Description of FIRE POINT
Sharon Kosovec has been wandering aimlessly about the United States the past
four years, after her son had been convicted of pursuing his father across
Michigan and murdering him with a baseball bat in a lakeside cottage. But now,
in the summer of 2000, she has returned to northern Michigan to be close to
James, who is serving time in Marquette Prison. There she is drawn into a plan
several inmates to break out. She becomes involved with two men, Doug Gage, a
shady landlord who helps her finance her son's escape, and a local carpenter
named Carl Baylor, who is attempting to rebuild his own life after his wife has
died of cancer.
Carl's
twenty-year-old son, Geoff, is alienated from his father when he learns that
Carl is using the insurance money from his wife's death to restore a large
Victorian house overlooking Lake Superior. In anger, Geoff attempts to burn the
house down, but he only manages to slow his father's restoration project, giving
Doug Gage the opportunity to buy him out cheap. But Carl refuses to sell and
places all his hopes in this house, and his growing love for Sharon.
Out of frustration, Geoff decides to
leave the Upper Peninsula with his girlfriend; to raise money, he uses his boat
in a drug deal, then he agrees to assist in the prison break. The escape is
bungled; several prisoners are killed or wounded. In an effort to conceal
Geoff's involvement in the plan, Carl reluctantly helps Sharon and her contacts
to keep the authorities off their trail. Sharon finally is reunited with her
mortally wounded son, who has been hiding out in Carl's partially restored
house. On the night that he dies, an accomplice of Doug Gage attempts to burn
the house down again, but this time is thwarted by Carl Baylor.
Foreign
Sales:
United Kingdom (Hodder)
World
Rights: Contact Lukeman
Dramatic Rights:
Contact Lukeman
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