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"THE
INVISIBLE WORLD is quite visible to John Smolens, who knows Boston—all
of New England--as if he has it trapped under his own literary
microscope. What you'll find when you look into his lens is that
Smolen's writing has more red blood in it, than blue."
--Jack Gantos
"John Smolens is that rare and gifted writer who can capture
both our exterior and interior worlds with equal dexterity, grace and
power. COLD is a novel so riveting you will absolutely not be able
to put it down, and these characters will stay with you long after
turning the last page."
--Andre Dubus III
(author of House of Sand and Fog)
"COLD is a
finely crafted, wild yarn set in the great north. John Smolens gives us
a suspenseful tale in a style somewhere between Jack London and Raymond
Chandler. A fine read."
--Jim Harrison
(author of
Legends of the Fall)
"COLD grabs you on the first page, and, like the snow swirling
around John Smolens' fascinating characters, the ice-hard prose pushed
under your collar and travels quickly down your spine. Soon you'll
be chilled to the bone, but you may not even notice because you'll be
too busy turning the pages. You must read COLD--preferably beside
a fire, under a blanket."
--William Martin
(author of
Back Bay, Cape Cod and Citizen
Washington)
"There's danger--sometimes
palpable, sometimes faint or comic, but nonetheless real--behind each of
these beautifully crafted stories in John Smolens' collection. The
sense of danger is what helps make these stroies beautiful and
compelling. Danger becomes a context for these stories and raises
their stakes so that it seems that if no life is safe then no life is
ordinary. Read the story "Cold," and you'll see the
method at work; read "Cold," and you won't close this book
again until you've read them all."
--Stuart Dybek
"At the center of this
taut novel is a young carpenter's search for moral certainty, in matters
of work and love and commitment, in modern America, where such quests
are an ordeal. The story is suspenseful, exciting, tender, often
humorous, and, above all, significant. John Smolens is a wise and
seasoned voice."
--Andre Dubus
Reviews
for THE
INVISIBLE WORLD
"Father-and-son
conflicts always seem to work better when there's a crime involved,
preferably one of epic scope, like the one that John Smolens depicts in
THE INVISIBLE WORLD (Shaye Areheart, $22.95). His protagonist, a
slacked-off Boston journalist named Sam Adams, once wrote a book
accusing his absentee father, a shadowy presence who ''worked in
government (as opposed to for the government),'' of being the second
gunman on that grassy knoll in Dallas when J.F.K. was shot.
Understandably, relations between father and son have been strained ever
since. Now the old man's back in town, just long enough for Sam to
accuse him of silencing Sam's mother before she could deliver her
deathbed version of the conspiracy to a reporter. Smolens's sharp views
of places like Charlestown and Salem avoid the usual hometown
sentimentality, making a nice contrast with the mournful lyric voice he
uses for Sam's recollections of his miserable family life."
--The New York Times
"This novel of
conspiracy and political intrigue creates a heady atmosphere reminiscent
of Paul Auster...Smolen's spare style plays off nicely against the plot,
and elaborate tapestry of twists and contradictions. Smolens
(Cold) balances political commentary, excitement and heartbreak nicely,
moving his career forward with sure-footed style."
--Publishers Weekly
"Crafted by a writer who's
good at atmospherics."
--Kirkus
for
COLD
"Set in
Michigan's cold, harsh Upper Peninsula, this third novel by Smolens
(Angel's Head, etc.) uses its frigid backdrop as the perfect setting for
an astute examination of six lives wrecked by fate, betrayal and
tragedy. Norman Haas, an inmate at a nearby prison, turns up nearly
frozen and starved on the isolated property of Liesl Tiomenen, a widow
whose life was derailed by the deaths of her husband and daughter in a
car crash. Liesl has a gun, and she decides to escort Norman into town
on foot, since the snow is too deep for driving. When she falls and
can't get up again, Norman leaves her alone in the snow. Though he was
jailed for assaulting his older outlaw brother, Warren, and pill-popping
girlfriend, Noel, who were cheating on him together, Norman still loves
Noel and is determined to return and set things straight. Heading home
through a relentless blizzard, he picks up Noel and their three-year-old
daughter, Lorraine, and together the three hole up in a lodge deep in
the snowy woods. Meanwhile, Liesl has been rescued; recovering, she
joins forces with dogged local sheriff Del Maki to find Norman, though
both suspect he got a raw deal from the law. When all of the major
players including treacherous Warren and Noel's sinister father come
together for the final confrontation, nothing prepares the reader for
the startling chain of events that lead to a violent, shattering ending.
Smolens's skill in rendering scenes of stunning brutality and uncommon
tenderness, his crisp dialogue, vigorous writing style and keen
descriptive powers all make this a first-rate thriller. Agent, Noah
Lukeman. (Sept.)Forecast: A rave blurb from Jim Harrison suggests the
cut-above quality of this excellent thriller. Smolens's previous novels
were critically acclaimed, and this one should help build his
readership."
--Publishers Weekly
Copyright 2001
Cahners Business Information, Inc.
"Smolens not only
uses the Upper Peninsula of Michigan as a backdrop, he also treats it as
a character, silent, relentless, and cruel. Norman Haas walks away from
a prison work crew into a snowstorm, heading toward freedom but also
toward his past in search of answers and justice. Convicted of
assaulting his girlfriend, Noel, his sentence is long because of her
father's clout and the implication that he caused the disappearance of a
witness. But it's more of a sense of natural order than evil that causes
Norman to leave a woman for dead and to take advantage of the bad luck
of others. He runs off with a willing Noel and their daughter, trailed
by a wise local policeman and others concerned with keeping the past
hidden. The truth eventually is uncovered, but at what price? Those who
read suspense novels for their projection of justice and resolution will
find a winner here in this well-plotted and well-written tale fueled by
a sense of impending disaster."
--Booklist
Danise Hoover,
Copyright © American Library Association. All rights reserved
"John Smolens's
matter-of-fact narrative style pairs ideally with this gritty yarn about
a convict who, after fleeing a work detail in Michigan's Upper
Peninsula, sets off through a snowstorm to reclaim the life he'd enjoyed
before his duplicitous family sent him to prison. Here's an example of
Smolens's style from early on in Cold, when escapee Norman Haas is
involved in a trucking accident. Rather than save the trapped driver
from his rig's explosion, Norman steals a van from a stranger who has
stopped to help them both. "As he pushed in the clutch and shifted
into first gear," Smolens writes,
he realized there
was a familiar smell in the warm van. The ashtray was full of rolls of
Certs; he picked up one and began peeling back the paper. In the
rearview mirror he could see the burning truck. The flames now rose
high above the cab, and thick black smoke blew into the trees
alongside the road. Norman put a Certs in his mouth. The taste
reminded him of inside, where he'd sucked on Certs all day long.
Wintergreen.
Norman never achieves
much more dimension than that. He exists primarily as a catalyst,
forcing this book's other more intricately drawn characters to reveal
their own pain, mendacity, or longing. These include characters like his
ex- fiancée, Noel, who saw Norman's incarceration as just revenge for
his abuse; she went on to marry his malingering brother, but now intends
to run away with Norman to Canada. Or like Del Maki, the small-town
sheriff whose dogged pursuit of the escapee is entwined with his growing
appreciation for a widowed sculptor who'd tried to convince Norman to
turn himself in. As these players, along with Noel's hunter father and
his mysterious Asian business partner, converge at a remote cabin, they
incite a desperate, violent clash that exposes both the deception at the
root of Norman's conviction and an ugly conspiracy to profit from
wildlife destruction. Cold is fiction to chill the soul--too revealing
of human selfishness to be easily read, too well-written to be easily
put down."
Amazon.com's
Best of 2001
--J. Kingston
Pierce
"A fascinating and disturbing novel."
--Independent (Sunday)
"If you're ready for a
chilling, powerful, mesmerizing tale set in Michigan's Upper Peninsula,
grab a copy of Cold.... The intriguing, atmospheric novel focuses on a
variety of interpersonal relationships.....The entertaining, carefully
crafted tale is full of surprises, including the final chilling and
decisive conclusion.... Smolens' strong characters display a wide range
of human emotions; the heightened sense of atmostphere is so distinct
that you'll swear the temperature has gone down a few degrees since you
began reading the book. The deft plotting explores the frailties of the
human heart, problematic family relationsips and greed while presenting
a solid tale of strength, death and deception."
--Lansing State Journal
for WINTER BY
DEGREES
"What holds our attention is the rich atmosphere, the chill
desolation of a shore town in midwinter. John Smolens knows his
territory, social as well as geographical and proves it in his first
novel."
--Boston Sunday Globe
"A promising debut."
--Chicago Tribune
"...delivers gritty
dialogue and earthy atmosphere."
--Kirkus
"Richly textured and intriguing. A gritty tale of mystery and
violence...."
--Lansing State Journal
"Rich in
detail....Captures the sense of gloom that hangs over seaside
communities in the winter as if a tragedy is just around every
corner."
--Cape Cod Chronicle
World
Rights: Contact Lukeman
Dramatic Rights:
Contact Lukeman
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